TOm seBAZCO
My work is not about subjects. It is about the exact moment before the subject exists.
I am driven by the instance of inspiration itself—the instant where something invisible ruptures into form. This moment is agitated, unstable, and irreversible. It arrives without permission and leaves physical evidence: an aggressive brushstroke, an unbalanced sculpture, an asymmetry that refuses correction. These gestures are not stylistic decisions; they are artifacts of an event.
I work across painting, sculpture, and mixed media because inspiration does not belong to a single language. It is indifferent to medium. What unifies my work is not appearance, but origin. Each piece is a fossil of its own creation—a record of velocity, interruption, and emergence.
I often compare inspiration to the Big Bang. Before it, there is no structure, no hierarchy, no meaning—only potential. Then suddenly, violently, everything expands. Energy becomes matter. Thought becomes form. The brushstroke becomes the first particle. Composition is not designed but discovered in the aftermath of that explosion.
My off-balance sculptures lean, stretch, and resist equilibrium because inspiration itself has no equilibrium. My paintings carry agitation because clarity is a later invention. I am not interested in refining inspiration into something polite. I am interested in preserving its instability, its urgency, and its truth.
The work is not the idea. The work is the moment the idea forces itself into existence.
Each piece begins as chaos and becomes evidence that, for an instant, something infinite passed through a human hand.